Category Archives: Interviews

Drew Bledsoe & Coming Back to Center

July 07, 2022

Drew discusses his NFL career, his focus on family, and returning to his hometown.

Interview by Brian Schott, Mike Powers & Ryan Friel


The first issue of Whitefish Review published in 2007 contained an interview called “Drew Bledsoe and the Art of Football.” Why talk to an NFL star in a literary journal? Because creative minds are the essence of all art. And art can be found in the strangest of places. On January 11, 2022, Whitefish Review founding editors circled back and once again sat down with Drew for an interview. This time they took a series of chairlift rides with the tape recorder running, skiing powder during a winter storm at Whitefish Mountain Resort. 

Drew played in four Pro Bowls, is in the Patriots Hall of Fame, and was in the top 10 overall for a number of QB statistics upon his retirement. After his 14-year career in the NFL in 2007, Drew selected his hometown in Walla Walla, Washington to plant his original estate vineyard, McQueen, on the southern end of the Walla Walla Valley. In 2008, Drew and his wife, Maura, launched Doubleback as an estate-focused winery with the goal to produce world-class Cabernet Sauvignon—the winery’s name a reference to his return back home. His very first vintage was named a Wine Spectator Top 100 Wine of the World. To make his dream a reality, Drew hired winemaking guru Josh McDaniels as his CEO & Director of Winemaking. Since then, Drew has also founded Bledsoe Family Winery and co-founded Bledsoe|McDaniels as a collaboration with Josh. Drew and Maura have four children and reside in Bend, Oregon while also spending plenty of time in Whitefish, Montana.

The interview sessions are blended and edited for clarity.

Brian Schott: Since we have six minutes on this ride, let’s talk chairlift rides first. Circle back to 2002. You’re back from the Super Bowl. This chairlift ride. Bring us back to that moment.

Drew Bledsoe: Actually, first let’s go back a little farther. Let’s go back to 1996. I came up here, for the first time skiing this mountain. First lift ride ever on this chair, freezing cold. One of those days up here when most people are not dumb enough to come out and ski. So, I happen to be seated next to these two guys. [Drew points to Ryan Friel and Mike Powers and laughs.] 

I don’t know which one of them said, “Your voice sounds familiar. Where are you from?” “Well, I’m from Washington, but living back in Boston.” One of them shouts, “You’re Drew Bledsoe!?” [more laughter] And I said, “Yeah. Let’s go ski!” And you proceeded to show me around the mountain. The next thing you know, we bought a house in Whitefish and have been coming up here for the last 26 winters.

Brian Schott: Thanks for setting the stage.

Drew Bledsoe: So we had won the Super Bowl in 2001, but I had gotten hurt. 

[Drew nearly died after being hit by a clean, but brutal tackle, suffering a hemothorax. He tore one of the blood vessels behind his rib that slowly leaked three liters of blood into his chest cavity. After the injury, Tom Brady replaced him as the starting quarterback.]

That year was awesome for the team, but a little painful on a personal level. But I made it through. I kind of kept everything in check all through the season. Then the day we won the Super Bowl, I had a plane waiting for us and we flew here that night. The next morning, I got on this chair and was riding up here by myself. I had jumped on and was the only one on the chair. Everyone else was hungover from their Super Bowl party. 

I got about halfway up here and tears started to flow. That’s when I kind of let it all fly. It was cathartic. By the time I got off the chair, I was ready to rip and put it behind me. I finally was able to just let everything go. Because when you are in that position I was in, you’ve got to be strong for the team, be strong for your family, be strong for everyone. But then when I finally got up here, I could just let it go. 

Brian Schott: Was that a bit lonely? It seems that you purposely kept some of those emotions and any potential hard feelings to yourself because you thought more of the team.

Drew Bledsoe: Of being a good teammate and all that stuff. But I wasn’t lonely. I never felt that. I had great friends on the team and great support at home. I think all my friends understood I was doing the right thing, but it wasn’t easy. But I was never lonely. But that morning I rode up this chair, that was lonely on purpose. I needed that time by myself for a little while. Then I was reset and ready to rock and roll. 

Brian Schott: So, I guess that cycles into our theme for this issue, The Vortex. We’ve been experiencing this whirlwind and looking for a calm center. I relate that to your mentality as a quarterback where you have talked about being in a bees nest and there is still a center of calm. Can you talk about that place?

Drew Bledsoe: When you are on the football field, especially when you’re young, especially your rookie year, the best allusion I ever heard was, “It’s kind of like you stick your head in the popcorn machine and popcorn is just exploding everywhere and you’re trying to focus with things exploding in your face.” There are so many direct correlations between playing ball and life, but when you’re playing ball, you’ve got to be able to put that stuff aside and focus on the part that is in your control. I have to go do my job and try to execute this piece of it as well as I can, in spite of what else is going on. That’s what we are dealing with right now.

Mike Powers: That’s life right now.

Drew Bledsoe: Yeah, the whole world seems crazy right now but when you boil it down, what part of it is mine? What part can I handle? Try to handle your part as well as you can. 

Brian Schott: How does skiing play into your life?

Drew Bledsoe: I started skiing when I was two years old. Even when I was playing football, I was up here with all of you guys. Skiing has always been important to me. With all the restrictions in the rest of our lives the last couple of years, having that familiar freedom of standing on a pair of skis and going wherever you want to go feels pretty good. 

Brian Schott: Can you talk a little bit about being empty nesters? It’s a whirlwind having kids, but what is it like when your kids move on?

Drew Bledsoe: My wife decided she didn’t like the term “empty nester” because she thought it sounded sad. So we decided we’re “free birds.”

Ryan Friel: Much better.

Drew Bledsoe: Much better right? It’s a big change. You’re raising kids and they are the center of your universe and now suddenly you have free time to do whatever you want. Especially with the business we are in, I am not tied to a particular schedule very often. So, it’s an interesting transition for us to do some traveling and spend some time in other places and not be constrained by kids in sports and school. It’s been a lot of fun so far. 

We’re going to spend more time in Walla Walla, spend more time here in Whitefish. And then, who knows? One of the things that happened with us with everything changing on a daily basis—when you don’t know what the next day brings—is that we’ve gotten pretty good at rolling with the punches. “Well, alright that happened I guess we can’t do that, then let’s do this.” Like Mike Powers was saying, his trip to New York City to see some live music got canceled, so he just skied for five days in a row. You just learn to roll with the punches. 

Ryan Friel: Pretty good backup options.

Drew Bledsoe: Exactly. And we’re so blessed to live where we live—that there are a lot of backup options. 

Ryan Friel: It’s funny for me to hear you say that because when people from here are all doom and gloom about the global pandemic, I say, “Let’s look at it this way: we’re already where everyone wanted to get to.” I chose to be here, so where do I want to go during a pandemic? Right here. 

Brian Schott: Can you talk a bit more about living with uncertainty?

Drew Bledsoe: It’s been funny. Life and sports are tied together in a lot of ways. And business and sports are tied together in a lot of ways. One of the things in leading a football team as a quarterback is that there is something unexpected that is going to happen in every game, every single week. You’ve got to learn to adapt and overcome and persevere. For me, living with uncertainty is something I am pretty comfortable with. I figure I am more valuable and bring more to the world when things are chaotic. Because I am able to be calm when things are in chaos. Some people go the other way. When it’s chaotic, they just can’t think and that’s actually when I get really calm. 

Ryan Friel: That’s great. We need more “you’s” around us. 

Drew Bledsoe: Just shift gears, change your tack, and just go. Don’t sit still and cry about the way things were supposed to be. Well, things aren’t that way, so let’s do something else. 

Ryan Friel: When we spoke with Yvon Chouinard about the future of the earth, he said something like, “Well polar bears are great, but the reality is they are kind of already gone. We are too far past that.” So, he spends his time and effort on where he can really make an impact.

Drew Bledsoe: I think when you boil it down to a personal level, we all have plenty of things we can do in our own lives that can make a difference. 

Brian Schott: When we were just skiing, you were mentioning it was a big year of transition. 

Drew Bledsoe: It’s been crazy. We had two college graduations and a high school graduation, and so we became free birds. Our dog Isabel passed away, my mother-in-law passed away, and we sold two houses. It boils down to me and my wife. And thankfully she likes me most of the time. We have a lot of great friends we get to spend time with, so in a lot of ways, life has gotten a lot simpler during this chaotic time. Partly as an answer to the chaos and partly because that’s the stage of life we have gotten into, we’ve just simplified things and it’s pretty relaxing when it gets simpler. Try to ski more. Travel more. 

We’ve been traveling a ton. South of France. We made a trip to Spain to go see our son Henry who was studying abroad over there. Took my folks with us—convinced them to go to Europe for the first time in their lives, which was awesome. One trip down to Mexico, down to Punta Mita, and then up here in the fall more, which was fun. We took a boat out in the San Juan Islands up into British Columbia with some friends who were also empty nesters at the same time. We chartered a boat and went cruising through the islands. It’s been fun. We’ve been enjoying ourselves.

Mike Powers: Let’s talk about your hometown Walla Walla if we could. What does working with the land to make your family wine mean to you?


Drew Bledsoe with his family in September 2011 at Gillette Stadium, Foxborough, Massachusetts.
With wife Maura, Stu (14), John (13), Henry (11), and Healy (9). (courtesy Drew Bledsoe)

Drew Bledsoe: It has been really rewarding for us because we have built a business that is founded on two things. We’ve got great land and great people. As far as the land, we are very good stewards. We believe in creating a natural environment around the vineyard. It is not a monoculture of just growing grapes. We are growing grapes, but around that, we have all kinds of beneficial plantings. We try to stay hands-off as much as we can. By creating that environment, we can use less chemicals. We use no pesticides. We use very little, almost no herbicides because that natural environment becomes as nature intended. A natural environment that doesn’t need more input. You combine that with the people we are working with… and we should talk about that on our next lift ride.

[Ride on the East Rim Chair up over the big cliff.]

Drew Bledsoe: Right up here is one of the few times I got into real trouble with my wife and daughter. I said, “Hey, just follow me.” Well, I ended up going over there [Drew points to a place with sheer cliff drops.] and getting cliffed out with my wife and daughter. We all had to take our skis off and hike up. [laughter] That was a quiet car ride home with the two of them. They were not very happy with me. 

Mike Powers: We were talking about the people you work with.

Drew Bledsoe: In addition to creating a natural environment and ecosystem, we started our own farm company three years ago. We have a 12-person crew now. Most farm labor—and vineyards are no exception—is seasonal labor, with many laborers coming from Mexico. By starting this farm crew, for the first time in their lives, they have full-time employment. We pay them well, and they have retirement benefits and health benefits for the first time in their families’ lives. We feel like it’s the right thing to do, to take care of your people. And Josh McDaniels and I both want our moms to be proud of us, so we try to do the right thing. 

The cool thing with both of those endeavors is that by taking care of the land, creating that environment, and taking care of our people, we produce a better product. The farm crew that works for us now treats the vineyard like it’s their own. They have this emotional attachment to what they do and it shows up in the fruit. It shows up in the bottle and we are able to produce a better product by doing the right thing. That has been one of the most gratifying things in our business over the past couple of years. Learning that doing right will also produce a better product and create a better business.

Brian Schott: There’s something to be said about a certain energy that you put into what you care for—you maybe can’t even put words to it—but can you talk about that unexplainable energy? 

Drew Bledsoe: There is a lot of heart and soul and passion that goes into what we do. Whether it’s real or not—and I tend to think it’s real—I think you can taste it. I really think you can taste it. That passion is real with our team.

Whatever it is you are doing, if there is a real passion behind it, people can sense that and understand it. And the opposite is also true. If you’re bullshitting your way through something, I think people eventually figure that out.

It’s been really gratifying to watch Josh McDaniels, our CEO and Winemaker, over the past three or four years, teaching himself how to be a leader and a delegator. He has become a fantastic leader. You hear two things out in the business world. You can’t find employees and supply chain problems. The supply chain issues we haven’t been able to avoid. But on the people side, we have not lost a single employee in the past three years, and we have actually attracted more people to our business. One more example of where you do right, and you can be more effective at what you are trying to do. 

Mike Powers: That’s a credit to the systems you and Josh put in place and hard work.

Drew Bledsoe: And hard work, exactly. And honestly a lot of study. Not getting complacent. I had to learn how to be a leader when I was 14 and figure that out. But Josh had been the guy who was always doing the work, not leading a team. He has now become a guy people would die for, they love working for him.

Brian Schott: Can you expand on leadership and teambuilding a bit more?


Josh McDaniels and Drew Bledsoe at his winery in Walla Walla, Washington.

Drew Bledsoe: There are a few things we know to be absolutes. Number one, people need to know that they are valued, that they matter, and that their opinion counts. We’re good listeners. A lot of our best ideas have come from the bottom up and not the top down. Another absolute is that people want to be proud of the company they work for. People are proud to work at Doubleback.

One of our core values is health. We bought a gym membership for the company and encourage people that both their physical and mental health need to be taken care of. Going through all that we have been through the last couple of years, we made it very clear to everybody that look—this stuff is hard in all kinds of different ways—so if you need some time away or help with anything emotional or physical, the answer is one-hundred-percent “yes.”

Over the past couple of years, we sat down and identified our core values. The entire leadership team—of which there are nine including Maura and me—all participated. And so, we all got to define what the values in our company are. We didn’t define them and tell them what we thought was important. In building that culture, we wanted our team invested so they would live up to them.

You put all those things together and it becomes a place where hopefully people will want to stay for a long time. One of our big missions is to continue to build a company that no one wants to leave. Sometimes in a business like ours, like many businesses, you can get into a cycle where you’re training great employees so they can go get a better job with somebody else. We’re trying to train great employees and give them room to grow, so we don’t have to go rehire and retrain and so far, it’s been good. 

Brian Schott: Flowing into that, talk about the importance of family.

Drew Bledsoe: First of all, it turns out that wine brings babies because it seems like everyone in our company is having kids right now. 

Mike Powers: Direct correlation?

Drew Bledsoe: Yes, it’s a direct correlation, wine equals babies. [laughter] Our kids are part owners in the business now. The team knows our kids and they know Maura and they understand from us that family is a top priority in our lives. I think because of that they understand we want them to value their own families. And then they become part of our family. There are people who have been with us for a long time who do feel like family members. That is really gratifying. Ultimately, Josh and I have to be the boss, and sometimes that requires hard conversations. But at the end of the day, they know we actually care about them. All the way to the people who just started for us. I think that resonates with them and is easier to keep them going.

Our kids are not directly involved in the business yet. Stu got his degree in Wine Business, and we were thinking that he would come back, but he is working for an internet startup that is going well. We’ll see if they want to have any direct involvement or if they want to be in a board of directors’ role with it. 

I got good advice from one of my mentors. He said you don’t build a business for your kids. You just build the best business you can, and they get to choose if they want to work for you or not. He’s an older guy that had been around a lot of different businesses and said if you build something and eventually force your kids into your business and don’t allow them to choose, you can create some pretty unhappy situations. Obviously, I would love it if they wanted to come back and get involved, but that’s their call. 

I think so far, the two older boys want to go plant their own flag in the world. And we encourage that. They know they are always welcome to come back and go to work for us if they want to. They have a desire to be their own people for a while and then we’ll see if they want to come back and have some role with us. So far, they are doing well. Healthy and happy.

Mike Powers: I feel like in the last couple of years, in the age of the pandemic, there has been a lot of focus on negativity and obstacles. Let’s focus on how good that skiing felt right there.

Drew Bledsoe: That was pretty fantastic, some great skiing.

Mike Powers: Incredible. Skiing and being outside really helped me keep my sanity over the last couple of years.

Drew Bledsoe: I do have my favorite phrase of the whole shutdown. “Collateral benefit.”

Ryan Friel: “Collateral benefit.” Great term, I like it.

Drew Bledsoe: There were a lot of them honestly. If you look around. As I said, we are empty nesters, but suddenly we got to have all four of our kids at home for an extended period of time. We thought that ship had sailed and that we would never have them all together for more than three or four days at a time. We got out and took them all to Costa Rica and had a true family vacation with just the six of us. Who knows if that will ever happen again? We embraced the heck out of that.

Mike Powers: And to embrace it while you are in the moment. A lot of times you are looking back in the rear-view mirror at those family memories saying they meant a lot, but to get another chance at it is special.

Drew Bledsoe: On the business front, we had to cancel all our wine events—of which there were over a hundred— but we started doing virtual wine tastings. It turns out they were awesome because you can do three in a row from your living room and don’t have to get on an airplane. We had already started the process but continued redefining our company culture and what we stand for. All of a sudden we actually had some time to have all hands on deck to sit around and talk about what our company values are and what matters to us and what we want to be when we grow up. All that stuff. If you just got out of the news cycle and lived your life, there were a lot of things that turned into positives. But you had to approach it that way. I specifically do not read any news. I get my news second and third hand. I figure if it is important enough, someone is going to tell me. 

Mike Powers: At Whitefish Review we love the creative process. Can you speak to the artistic process of the grape growing business? 

Drew Bledsoe: The creative process when it comes to producing wine is a really cool combination of science and art. You have to do the science part. You have to know your sugar levels, to know your pH, to know your acid levels. You have to know all those things. But at the end of the day, it’s got to taste good. 

There are some people that I have a lot of respect for in the wine industry who rely too heavily on the science and at the end of the day, you’re like, well okay, this tastes like a science project. It doesn’t taste like art. Wine is ever-changing and has so many variables. When you put together all these different plots from different vineyards and different barrels, different aging techniques, and all these variables, at the end of the day, we are trying to create a Bob Ross palette of wine flavors. We’ll take those, and we’ll take a little bit of this one, and a little bit of that one, and a pretty little bird here, and here’s a happy tree. You try to create a palette and put together something that ultimately is pleasing to people. That is what we are trying to do. [laughter]

Mike Powers: And it’s got to be exciting that way. 

Drew Bledsoe: It is exciting that way, usually. Two years ago, when we had all the smoke from all the fires in the Willamette Valley, that part was not exciting. We ended up not being able to use any of that fruit, which sucks. 


 Ryan Friel points out a line on the East Rim. (photo credit: Brian Schott)

Ryan Friel: I was going to say there hasn’t really been a bad ski turn in the day thus far. And then I thought Mike might say there has been one. [Laughter. On the last run, Mike had a big wipeout.] Mike may say, “I remember one bad turn for me,” but that wasn’t really the snow’s fault. 

Mike Powers: That was operator error, all my fault.

Drew Bledsoe: I went cat skiing at Mount Bailey a bunch of years ago. I took a really nice digger off of one wind drift into the face of another huge drift. Broken ski pole, full face plant, you’d have been proud. So, I ski back over to the group and one guy said, “Are you okay, man? That looked like it hurt.” “Yea I’m fine. Compared to what I used to do, this stuff doesn’t hurt.” And the guy looks at me and says, “What the hell did you used to do?” 

Ryan Friel: I had 300-pound lineman trying to kill me on a very regular basis. 

Drew Bledsoe: I had really strong, mad dudes trying to break me in half. 

Brian Schott: So you just went through the 20-year anniversary of your injury. Can you talk a little bit more about that? 

Drew Bledsoe: Yeah. The injury itself. I didn’t know how serious it was until I woke up in the hospital a few hours later. And the aftermath, I didn’t really get a sense of how serious it was for even a few days after that. It was kind of a crazy one. 

Brian Schott: What was looking back 20 years like?

Drew Bledsoe: The honest truth, the honest, honest truth is I don’t ever think about it, and I wouldn’t change it. I don’t have a lot of negative feelings toward any of it. Whether how it all happened was right or wrong, it doesn’t matter anymore. I don’t dwell on it. Shit happens in life, then you die, or you move on. 

How it changed my career and got Tommy [Tom Brady] on the field and let him go and all of that stuff? I mean I can’t change that, so why lament it? And I got to spend time in Buffalo, which most people would think would suck, but we actually really loved Buffalo. And I got to play quarterback for the Cowboys for a minute which was really cool. And I still have a great relationship with the fans and ownership in New England. You know, it’s all these things that you can’t change in your life. You just try to go forward and do your best with whatever hand you are dealt. I’m glad I lived. That would have sucked.

Ryan Friel: We are too. Otherwise, we wouldn’t be able to talk like this and ski powder with you.

Drew Bledsoe: That would have sucked to die and miss out on 20 years of powder skiing.

Ryan Friel: It is a good thing I’ve learned—it’s not always what happens to your life, it’s what you do with it.

Mike Powers: How you react to that difficulty in your journey.

Drew Bledsoe: Absolutely. We all have choices, no matter what hits us. Unless it puts you in the grave, you have choices on how you react to things. There are times when you may not have a great option, but you always have options. Pick the best option and do the best you can. 


Mike Powers talks with Drew on a short walk to an out-of-bounds stash.
(photo credit: Brian Schott)

Illumination from the Mountains of Montana

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Huey Lewis Interview

December 9, 2019

The Whitefish Review Interview:
Huey Lewis

In one of the most introspective and in-depth interviews of his career, Lewis spoke with Whitefish Review editors about his struggles with hearing loss, his awakenings and his teachers across his life—and the energy your creative ventures bring you when you keep walking your own path. Plus… we have to start with a little fishing.

Interview by Brian Schott, Mike Powers & Ryan Friel

Over the past forty years, Huey Lewis & The News have sold thirty million records, won a Grammy, and been nominated for an Academy Award. They have also just released their first new song in over a decade. “Her Love Is Killin’ Me” will appear on the band’s forthcoming album, expected to arrive in 2020.

This and other new songs came right on the brink of Lewis’ sudden 2018 Ménière’s disease diagnosis—a rare ear disorder—which suddenly ended Huey’s touring career. Even at age 68 he was still performing 75 times a year with his band.

Along with the new record, Lewis has been continuing to work on his musical The Heart of Rock & Roll, which opened to rave reviews in San Diego last fall, with sights for even bigger stages.

After a planned phone interview with Ryan Friel, Mike Powers and Brian Schott was canceled due to Huey’s fluctuating hearing, Powers and Schott traveled to Missoula to meet and speak with him in person. Friel called in for a quick and energetic hello, prior to taking off on a floatplane for another day of guiding in the wilds of King Salmon, Alaska.

The wide-ranging conversation covered fly-fishing and conservation, Lewis’s struggles with hearing loss, a look back on his career, and his outlook for the future. They spoke for over two hours. Lewis was full of energy and vigor—no “old man” to be found.

Sept. 9, 2019

Conference Call Line

Huey Lewis: Hey, guys. Huey Lewis here.

Ryan Friel and Mike Powers: Huey!

Brian Schott: Hey, Huey, it’s Brian in Whitefish here.

HL: Oh, shit. Okay, hang on. You know what? I can already tell. I’m going to have to call you back. I tried to Bluetooth through my hearing device and it’s not working. But I have other means. I’m going to have to hang up and try it again.

BS: Okay, no problem. [Huey leaves the call]

RF: You guys there?

MP & BS: Yep.

RF: Interview’s over. Christmas is canceled. I’m out. [laughter]

BS: Wow, that’s just hard. Hearing someone struggle. You know, with the basics?

MP: Wow, yeah. I take everything for granted. I don’t know how you learn not to. Living mindfully I guess.

[Huey calls back in.]

HL: Gentlemen. I’m trying. Can you hear me?

RF: Yeah, we can hear you well, Huey!

HL: Oh, man. I can’t hear you at all.

BS: We could try to switch out of this conference line and—

HL: Why don’t we just meet in Missoula?

BS: Okay. We’d like to do that. When can you do it?

HL: Anytime. I have to go to the Bay Area on Wednesday, but I live here. I’m here all the time. Any time. And here’s the thing. My hearing fluctuates so, it’s weird. I’m in a real bad spell right now, but I just came out of 26 days of being pretty good—when I could have heard you much easier. I just can’t right now.

BS: No sweat. All the better for us. We’ll come down and say hi and have Ryan call in.

HL: That’s awesome. I’m sorry, guys. It is what it is. I’m an old man and it’s all going to shit. See ya, boys.

[Two weeks later, Brian and Mike meet Huey in Missoula at Fact & Fiction, the legendary independent bookstore on Higgins Avenue. Unfortunately, the timing is bad for Ryan with his Alaska guiding job.]
Huey Lewis at Fact & Fiction Bookstore in Missoula. (Brian Schott photo)

Brian Schott: Hi Huey, it’s Brian. [shaking hands]

Huey Lewis: Nice to meet you. And you’re Mike?

Mike Powers: Nice to meet you. [another handshake]

HL: Good to meet you. I can almost hear you. [laughing] My hearing is really bad today, again.

MP: Not a good day?

HL: Unfortunately, no. It’s as bad as it was when we were on the phone. And, it got better between then and now—and then went to shit again. Go figure. But, I have my hearing devices turned on, and I CAN hear you. What’s the guy in Alaska’s name?

BS: Ryan. He’s going to call in a second. He’s just about to jump on a floatplane, but he’ll get a kick out of saying a quick hello again while we are here. Have you fished Alaska?

HL: I’ve never fished Alaska. I’m a dry fly snob. And there’s not a lot of dry fly fishing in Alaska. That’s my little personal axe to grind—the resource.

THE RESOURCE & A CONTROVERSY

HL: This all started for me at our “Mitchell Ditch” pissing match. [Lewis had a case that eventually went to the Montana Supreme Court in 2008 over whether public access should be allowed on the “stream” near his home (Mitchell Slough). Montana’s Stream Access law permits anglers to access Montana waters from any public right-of-way.]

We bought a place that had an irrigation ditch, that was clearly an irrigation ditch—at its best, Class 2 water as the Stream Access Law defines it—which is water that is not subject to the Stream Access Law. When a few of us moved there, we were labeled “rich out-of-staters.” Now, this is 30 years ago—I’ve been here 32 years—and we were a perfect target. It became cause celeb to go after these “rich guys” and they painted this picture of us coming in, buying property with public water, and fencing the public off from the water. Which was a lie.

But they repeated it enough times. And this thing went to Conservation District, where we won it. They said, you’re right. It’s a ditch. Then it went to District Court, where they studied it for two years and said, it’s a ditch. Then they went to State Supreme Court who sent it back to District Court. They redid it again. This whole process took 20 years—but eventually, it got back to the State Supreme Court, which is a very political body. And they went, hey—we don’t care what it is. There’s fish in there. We’re going to let the public at it.

Lewis on the Bitterroot. (courtesy Huey Lewis)

And so consequently, it’s been six years now since it’s been public. And now the resource has been decimated. It’s like 10 percent of the fishery it used to be. And when they first opened it to the public, we had all kinds of fishermen coming down there and crappy regulations. You know—you can fish with treble hooks and Rapala’s down there. And now, five years down the line, it’s completely silted in.

See, the thing about the Mitchell is that it has no gradient. So you have to scour it with equipment and clean it and maintain it and stick logs in. Trout need cover and they need clear, cold water. And they don’t need San Juan worms in their face every five seconds. We created this sanctuary. This fishery was alive. And immediately upon it going public, now we can’t work on it. You can’t maintain it, and it’s stilted in like crazy. And the fish are disappearing. And now we don’t have fishermen. And so what happened is the landowner lost, the resource lost, and now even the public lost because there’s no fish in it. That was a horrible thing.

And so when that happened to me, I re-dedicated myself to these little battles for the resource. The policies from on high are too access oriented. They don’t consider the resource enough. Policy should start with the resource.

RF: Huey, this is Friel. I have to run in a moment, but have you heard of the Pebble Mine? It has the largest gold deposits in the world, but they want to dig this huge mine at the headwaters of the richest salmon fishery in the world. [Pebble Mine is proposed to be an open-pit mining operation that would cover an area larger than Manhattan.]

HL: I don’t know about that specifically, but I know that salmon are in terrible shape, as well as steelhead. I go steelhead fishing up there in BC every year and I’m lucky if I catch a fish a day. I’m up there for six days; I catch four or five fish. Wow. That’s tough.

Lewis reels in a BC steelhead. (courtesy Huey Lewis)

RF: Climate change is definitely affecting our cold-water aquatic friends. But hey guys, I have to go pick up my next group. Sorry, I gotta run!

HL: Take care, Ryan.

MOVING TO MONTANA

BS: So let’s talk more about Montana, Huey. What brought you here?

HL: Well, fly fishing initially. I have fly fished all my life. The first band I was in, I came to Montana with one of the other band members. We were traveling to the Weiser Fiddle Convention in Idaho and went north and fished our way to the Bitterroot. When I saw the valley I just went, “Wow, that is spectacular!” I fell in love with it. And, you know, it’s kind of a funny story, but I turned 30 years old with $300 to my name. But I had a hit. I had my first hit. [“Do You Believe in Love” (1982)] I didn’t have a penny, but I had a hit.

And so finally I made a little bit of money and I remember the first thing I did was invest in some kind of limited partnership apartment scheme that a money guy had proposed and somebody introduced me to and it came very well recommended because the tax laws were friendly. And the idea was you bought this place and you got a big tax write off for it. And then you sell it a couple years later and make more money that way and so on. But of course, as soon as I bought it, they disallowed the tax advantages. And now, it wasn’t worth anything and I lost my money.

It wasn’t a lot of money, but it was the first money I had earned. And I thought, damn, you know what, I’m not going to do that anymore. You know what I’m going to do? I’m going to buy a piece of ground in Montana. That’s the only thing I’ve always wanted. That’s what I’m going to do. And that’s pretty much what I’ve done. I bought one parcel and then I bought a couple others and I’ve been rehabbing them. Putting parcels together and getting rid of fences, getting rid of car bodies, and cleaning stuff up. I mean, I love that. Fencing cows off of the ditches and allowing the habitat to grow up.

MP: And see the impact.

HL: And it’s not just fish, it’s ducks and geese and pheasant. And we have quail in our valley now. They’re established. And dove and sandhill cranes and elk. We have a couple herds of elk in the river bottom now. So it has really changed. I’ve been here now 32 years and we never had elk in the river bottom. We never had elk. We never had quail. We never had wild turkeys. And now we have all three.

Why are the elk in the river bottom? Everybody wants to know. Is it the wolves? Maybe? Or is it those wonderful alfalfa fields? One thing that’s nice about the Bitterroot Valley is the corridor right down the river is pretty much big ranches, conservationist ranches. And most are contiguous. So, we have a very nice corridor. Without almost no fences. And that’s really good for wildlife.

BS: So is a typical day in the life of Huey Lewis working on the land?

HEARING LOSS

HL: You know, the worst thing is, I lost my hearing, right? This is now a year and eight months, and it’s awful. I can’t hear music. It’s hard enough to hear speech. But music is impossible. The music is cacophony for me and now my hearing fluctuates. I can actually get better sometimes where I think, ‘Oh my gosh, I can almost sing.’ And I have sung twice in the last two years when my hearing was better. And I sang one song acoustically. But I couldn’t do it for a set. And anyway, the point is moot because if I book a gig, I have to book it a month in advance. And I don’t know what’s going to happen a month from now. So that’s the hard part.

So I can’t work and I miss that. I miss the guys. The camaraderie and the fun thing we had. I don’t miss doing five shows a week. I don’t miss traveling all over the place. I was home here in Montana most of this summer. Wow, beautiful! What a gas that was. And I fished everywhere. I went over across the state and I fished the Big Hole and I fished the Beaverhead and I went down to the Green. I fished Wyoming and Idaho. Boy, I had a fun time doing that. So I don’t miss the performing all that much. I would like to do a show every now and then. But you know, what are you going to do?

Lewis on the Big Hole. (courtesy Huey Lewis)

MP: You have to fill the void somehow.

HL: The fans have been amazing—the letters I get. The support I get from people, ordinary people, is amazing. Because when you do this, you don’t think about that. You do it because you’re just writing a song. You’re having fun, and you don’t realize you’re affecting people’s lives. And I get these letters from people who have cancer or they’re debilitated somehow or have life-threatening stuff going on. I was always going so fast, I would never take a chance to really appreciate what that means.

MP: You’ve had a positive impact on your fans’ lives and that’s amazing.

IRONS IN THE FIRE

HL: Yes, it’s very gratifying. And, I have a few irons in the fire. We have a new musical called “Heart of Rock and Roll” that we put up in San Diego, which was a big hit. We sold out six weeks and we’re hoping for a theater in New York on Broadway. We’re working with producers Hunter Arnold and Tom Kirdahy.

MP: Did you write that screenplay?

HL: No, no. This is a friend of mine. My neighbor here in Montana, his son-in-law is a film producer who works for Ron Howard, Brian Grazer, and Imagine Entertainment. And he was up here fly fishing. My neighbor is a big musical theater buff. And he said to his son-in-law, “Tyler, you should do a musical with Huey’s music.” And Tyler did. They went away and wrote this really good screenplay. [Tyler Mitchell and Jonathan A. Abrams].

And immediately we had momentum. We hired a director. We got financing. And it’s good. We’ve been working on it for almost ten years. We’ve got to get in the right theater. It’s very funny, the business of theater in New York. The critics obviously matter a lot in New York. And, you have to get the right theater. If it’s too big and it’s a comedy, the comedy won’t play. If it’s too small, you can’t recoup. And they all have technical considerations. Like they only allow so many musicians. It’s tricky business, but we’re confident in our show, and our co-producers seem confident as well. Fingers crossed.

There’s also a guy doing a documentary on me. He’s an interesting guy called Kurt Kuenne. He did a film called “Dear Zachary” and another film called “Batkid Begins.” He went to USC, he’s super bright. And his flaw is that he grew up in our neighborhood and was a big fan of the band! [Huey laughs] So he wants to do a documentary. He put this sizzle reel together that people really like and we’re off doing that. So that’s good.

photo by Deanne Fitzmaurice

BS: That’s great. Is he spending time on your ranch doing interviews?

HL: He’s already been up there for a couple days. And now he’s coming to New York because I’m going to Scotland Sunday to play in a golf tournament. Then I go to New York to do publicity because I have a new record coming out.

BS: Wow, sweet!

HL: Yes, a brand new record of original songs.

[Listen to his new song, “Her Love is Killing Me.”]

FIRST NEW SONG IN 10 YEARS

MP: Talk to us, I love that! Congrats.

HL: Yeah, it’s called “Weather.” The album probably won’t be released until mid-February of next year, but the first single has just been released digitally (“Her Love is Killin’ Me). And then we have a video that we’ve done which features some great people. Michael Keaton is in it. Jimmy Kimmel, Joe Montana, Bruce Bochy [manager of the Giants], and Brandon Flowers. Brad Paisley mimes the guitar solo, and Andy Garcia lip-synchs a line from the St. Andrews golf course. Sean Hayes from “Will and Grace” and Patrick Warburton [“Seinfeld” actor]did a cameo. They’re funny those two, really funny. And, I mostly just shot everybody with my cell phone. It turned out great.

The album only has 7 songs on it because that’s all we had recorded when my hearing went to crap. We were making a record all this time, slowly but surely. We’re not the most prolific bunch for a lot of reasons. Number one—we’ve written a lot of songs and it’s pretty hard to keep writing. It really is, it’s just hard. And I’m a little older. And I also like to fish, you know what I mean? [laughter] You gotta do some of that.

We were playing 75 shows a year and recording at our leisure, real slowly, because you have to write the songs, and the songs are hard. They just have to come. There’s no way you can conjure them up. And so we had about seven songs done, and I was convinced that we were really as good as we’ve ever been. I was never that good to begin with. I was still improving two years ago.

My theory was that we could stay away as long as we want without a record, as long as we’re this good. And in fact, the longer we stayed away, the better. So we were quietly staying out of the limelight, playing 75 shows and recording an album over the last eight years. And then this happened. So I said, we might as well release the record. So that’s what we’re doing.

Brian Schott speaks with Lewis in Missoula. (Whitefish Review photo)

BS: That’s exciting to hear. I didn’t know.

MP: You feel good about that, I’m sure?

HL: Three or four of the tunes are absolutely among our best work. BMG is our label and they’ve been very good so far and we’re all very excited.

MP: Nice to be trending up still. If you’re still improving with your band and you’re writing songs that you feel are really worthy, that must be a great feeling.

PUSHING THROUGH IT

HL: It was great. This [he points to his ear] has ruined everything. This has absolutely ruined everything. I try not to let it get me down. In the first two months of this, I was suicidal. I can honestly share that with you. I thought, shit, I’m just going to commit suicide. I actually contemplated my demise. You know, like pills. I figured pills were the easiest way to go. I mean, would I have? I don’t know.

MP: Did you have vertigo too?

HL: Yes, I had vertigo 35 years ago. I had to cancel a gig. I got so sick I couldn’t move. I said, “Take me the hospital.” They gave me a Thorazine, and I was fine the next day. Then five years later I had another huge vertigo bout, and five years after that another huge vertigo bout. But I haven’t had any vertigo episodes for a long while. My Meniere’s Disease is atypical in that the hearing loss is my main symptom. But, there are always people worse off, and after all I’m still a lucky guy, and it’s important to remember that.

BS: Has it made you more grateful for things in your life?

HL: It has. It’s changed things for me, I read more. When my hearing is really bad, I’m better off by myself. Because there’s nobody that I can’t hear. I’m in my cocoon, and I’m fine. I can read and I have devices to hook up to my phone through my hearing aids. And I have more powerful ones if these don’t work, which I tried to switch to the other day [when we tried the initial conference call]. It didn’t work so well, but I can Bluetooth to the television. I don’t watch much TV. But I watched the Democratic debates. I made myself watch the debates. But that’s it.

MP: Was there an awakening or any moment after those two months that it changed for you?

HL: Well, no, I got better. What happened was I got better for about five days. And then I got crappy again. It’s been really strange. I gauge it one to ten. Ten is what I was before this happened. I wasn’t really a “10” then, of course, because my right ear was only about 30 percent of normal and I was living on my left ear. When I first had my right ear go out about 30 years ago, I went to an old, wise E.N.T.—Ear, Nose and Throat doctor.

The guy looked in my ear and said, “Well, get used to it.” I said “What?!” It felt like I had just gotten out of the swimming pool and my ear wouldn’t clear. And he goes, “Get used to it.” I said, “What do you mean?” He said, “Well, it happens. There’s nothing conjunctive wrong with you. You just lost your hearing. Sometimes it comes back. 66 percent of the time it comes back. But usually in the first two weeks.” I said, “Wow, are you kidding me?” “No,” he says.

“But I’m a musician. I’m a singer.” And he says, “Hey, Jimi Hendrix had one ear. Brian Wilson has one ear. I have one ear and I’m in a barbershop quartet.” I said, “You’re kidding me?” He said, “No.” So I go home. I tell my wife and she says, “You can’t just do that. You have to go get a second opinion.” So I go to UCSF and they test me up and down. And, you know, they couldn’t find it. That’s when the process started. Since that time, I’ve been everywhere, that’s how long I’ve been battling this thing.

I’ve been to House Ear Institute, Stanford Ear Institute, Mayo Clinic. Tom Brokaw, bless his heart, even made some calls for me. I’ve been on the phone with Dr. Steve Rauch. He’s pretty much a mentor for all these guys. Dr. Aaron Tward at UCSF is really my go-to guy and they’re all really super. I’ve tried all the holistic stuff as well. 20 supplements in the morning and 15 at night. Living Ayurveda [Indian alternative medicine]. I’ve done acupuncture and chiropractic. Cranial massage and essential oils. Low salt diet, all organic, no caffeine. I haven’t had any caffeine in two years. No chocolate. But none of it works. [laughter]

Mike Powers has a laugh with Lewis in Missoula. (Whitefish Review photo)

BS: So how do you keep laughing?

HL: I don’t know how I do it. I really don’t. We went fishing the day before yesterday with my neighbor Andy Carlson and my ranch manager Joe and we had a great day on the river and everything. I had fun. I couldn’t hear anything. But I had fun. People say, well, it doesn’t affect your golf game or it doesn’t affect your whatever… but it really does. It affects everything. And when my hearing is good, it feels so good to have good hearing. I just thank my lucky stars and just hope and pray that it stabilizes, which it never does.

BS: Who are your favorite writers?

HL: Tom McGuane is one of my favorite authors in the whole world. Tom McGuane is kind of a new friend. I just love his writing. He’s so literate. Just exchanging emails with him is wonderful. I just read his new story “Wide Spot” in The New Yorker. And what’s so fascinating about him is he’s a really a Western writer, he sees himself as a Western writer. And a lot of people don’t get that because some of these characters are so off-the-wall, but that’s the way they are in the West. That’s the way they are.

MP: I just read “Cloudbursts,” his book of short stories. It’s fantastic.

HL: He really is one of the best short story writers ever.

MP: He does a great job painting the picture. You feel like you are in there and it is a truly Western voice.

HL: And I’ve fished a little with Carl Hiaasen and love his work.

THE CREATIVE JUICES

BS: Are you doing any writing yourself?

HL: I wrote a song for the new musical. The director said it’s the protocol in a musical for the lead character to sing a song early in the play that articulates what it is that he or she wants. What are their goals? And then boom! I had this idea on the way home. It’s the last idea I’ve had. [laughter] And we wrote it up and it’s great. It’s called “Be Someone” and it’s a really good song. It’s the centerpiece of the musical.

I think about writing other stuff. My mother was this amazing character. Her story needs to be told. She was kind of a famous character in Bolinas, California, which is a coastal town, north of San Francisco, that’s stuck in the ‘60s. You know, it still is. This is where Richard Brautigan lived before he moved to Montana, where McGuane lived before he moved to Montana. Joel Coen and Frances McDormand. So I’m trying to do that, and I should really try and do that. But, you know, writing is really hard work.

BS: Sure is.

HL: I have another project that I’m working on. It’s a TV show that I have an idea for. I have a producer who’s excited about it. So we’ll see.

It’s it kind of a partially scripted, partially improvised show. In it, I’m me, Huey Lewis. My professional life is exactly the same as my real professional life. But my personal life is not. I don’t live in Montana. I live in Hollywood. I have a pushy manager named Morrie and now I have hearing loss, so I can’t sing anymore. Morrie’s always trying to figure out ways that I can make some money. Reality shows, public appearances, ignominious endorsements, etc., and I’m trying to keep my dignity through all this.

[Huey goes into great detail about this project, sketching out scenes from several episodes.]

BS: It sounds hilarious! You seem to be having a blast with that. So you have this all sketched out, all these episodes?

HL: I have the first episode written. But honestly, It’s a long shot. You know the thing that’s wrong with it? I’m probably too old, to be honest.

BS: Yeah?

HL: Probably like ten years too old.

BS: Young at heart.

HL: But, you know, we’ll try.

MP: Yeah, you have to give it a good try.

HL: And I think I can act even when my hearing is this bad. Once we have a script, I don’t have to actually hear. And I’m almost hearing you. I’m hearing you.

Brian Schott photo

BS: We read a story about you hitchhiking across the country and flying to Europe. Was there an awakening for you where you said, “Man, I’m gonna be a rock and roll star.”

HL: Yeah, that was it. When I went to Europe.

As I said, my mom was a hippie. She’s an artist. Born in Poland, escaped during the war, was a commercial artist in New York, and then dropped out. We moved to Marin County in 1955. And she hung out with all the beatniks like Allen Ginsberg and Timothy Leary and took LSD early and all that sort of stuff. And my dad was worried about me because, you know, I was 11. He convinced me that I should go away to prep school on the east coast. I was a year young because I had skipped second grade. He told me, if you want to do this, you’re going to have to talk to the court yourself. And I did.

So I took my dad’s advice, and we had a contentious day in court. But the judge ruled that I would be allowed to go to this school even though my mom had custody. And then I turned 12 years old. I graduated from eighth grade in June of 1963, turned 13 in July, and in August I went away to prep school for four years to The Lawrenceville School in New Jersey. Coat and tie, all boys, and neither one of my parents ever visited there. So, you know, that was it for me. And it was tough, man, at first. I didn’t particularly enjoy it. Now I’m very glad I went there. But after four years, I was accepted to Cornell and was going to go to the engineering school. I had a kind of a math aptitude that I cared very little for. [Huey scored a perfect score on the Math section of the SAT]

TEACHERS

BS: Was there any teacher who particularly influenced you?

HL: My English teacher Jim Waugh. He really gave me a lot of confidence to choose my own path. I mean I was basically raised by the school. Mr. Waugh was a huge influence. He taught me that I could make my own life. When I have a choice to make, I often think of him and wonder what he would do.

MP: Did you have any sense of where you wanted to go after prep school?

HL: I remember when I was a junior, my college placement advisor asked me, “Well, what do you want to be when you grow up?” The right answer would have been, “How should I know? I’m 15.”[laughter] He says, “Well, you got great grades in math.” I had 800 on my math boards and he said, “Well, how about engineering?” And I literally thought that engineers drove trains

Brian Schott photo

I didn’t know anything. He mentioned Cornell, which is a great engineering school and in the Ivy League. And his job, I now realize, was to place as many people in the Ivy League schools as he could. And he saw me as a math guy, a perfect guy for Cornell. So bingo, I applied to Cornell, I was accepted.

And when I came home from school on a vacation, my dad said, “Okay, you’re 16 years old, and, as far as I’m concerned, you can do whatever you want to do in life. Your decisions are your own. I’m only going to make you do one more thing.” So what’s that? He says, “Don’t go to college. Not yet.” I said, “What do you mean, Dad?” I’m going to play baseball and I’m going to go to Cornell. He said, “Just take a year off and bum around Europe.” I said, “You’re kidding me?” “No. Do it.”

BS: He was ahead of his time with that kind of thinking.

HL: So I did. I worked for two months at a stock brokerage, made $600 and hitchhiked across the country. A guy showed me how to stowaway on an airplane. I didn’t stow away, but I did the ticket trick. It’s a long story. [laughter] Basically, I flew there for free and then bummed around and played harmonica throughout Europe for a year.

At one point I was in North Africa. I’m in Tangier. I’m in the square. I’m playing harmonica. I get three Dirhams. The youth hostel cost one Dirham. All I can eat was another Dirham. And I had a Dirham to the good. I’m a musician! I’m making money. And then, I lost my passport. It’s kind of a really funny story, man. After being in Morocco for like two months, in Casablanca. I couldn’t get out, too stoned. Couldn’t leave. [laughter] Yeah, we’ll leave tomorrow!

MP: Mañana

ON THE ROAD

HL: Yeah, mañana. And then I finally got out and I’m hitchhiking out of Morocco. I’m in Spain now and this 80-year-old guy with a handlebar mustache in a ‘30s Ford pickup with an Airstream trailer—he was a crazy Dutchman—he picks me up and we stopped at every bar on the way to the Portuguese border. Finally he got so hammered, he drove off this little dike into the water. And the water flooded the car and the Airstream. And I thought, ‘We’re screwed here.’ He got out, took a fire extinguisher, and squirted the distributor. The thing started up and we drove out. But when we got to the border that night, my passport was missing. And later I find out it had floated out of the truck, so I couldn’t go across the border.

So he went across without me and I just had my knapsack and my sleeping bag. I was going to go back to Seville to the consulate and get a new passport. It’s night and I’m right in this little Spanish border town across from Faro, Portugal. I have my sleeping bag. I’m just going to roll it out and sleep, but I hear music coming from this garage. I go look, and it’s some band—some Spanish guys playing back there, practicing their band. I knock on the door and they see me. And bingo, I teach them “Louie, Louie” or something. And we end up jamming. And then I ask them, can I sleep right here? “Sure,” they say. So I sleep right there.

Brian Schott photo

And then in the morning, I go to the consulate. It’s Friday and it takes me all day to get there. And I get there right at five o’clock and they basically shut the door on my face. So I go into town, hitchhike back into Seville, and I find a night watchman there and ask him, “Can I sleep here?” “Yeah, you can.” And then these students find me later. And they say, “What are you doing?” I’m playing harmonica. I was playing on the street. And I tell them my story. I have no money and I need 20 bucks for my passport. So they decide they want me to do a concert—“Los Blues Huey Lewis” [he says in Spanish accent]. They’re communist art students and they put up these posters and make me look like this amazing rock star.

And they find a guitar player. I got a harmonica. He knew a few blues changes [Huey harmonizes chord progressions] and a minor chord, and so we worked up maybe six or seven songs. The concert was sold out. When we went on stage it was pin-drop quiet. First time I ever heard it that pin-drop quiet. And we start to play and it’s pin-drop quiet, right? I start singing and I think, I’m either dying here or they’re really listening. I didn’t know what the hell was going on. And at the end, the crowd just goes wild. Well, after the show I get business cards from people and money—there was like $100 there. So I thought, wow, this is great! So the students said, let’s go to dinner and celebrate. I said, absolutely! So we go to dinner. And oh my god, there were 15 or 20 of us and we order dinner and Grappa and everything. When it comes time for the check, I had $20 left to get my passport.

But the bug had bit. So I went through these cards and there was another guy who had a club. So I called him up. He said, “Sure, you want to play Friday night?” I only had four harmonicas with me and they were getting out of tune. And you can’t buy Hohner harmonicas in Seville, Spain in 1969. And we go on in this little club and we’re horrible. We’re so bad—the harmonica is out of tune and the guitarist breaks a string. We’re just terrible. And it was the end of the deal.

But now, the bug had bit—so I got back to Cornell and I joined a band. I’d had the first year of Cornell almost done because of Advanced Placement in prep school, so I didn’t even have to go to class hardly. I just went and played in bands. Then by my second year, the student uprisings had happened. The Afro-American Student Society took over Willard Straight Hall. You could take classes pass/fail. It didn’t catch up with me till midway through my sophomore year. Then I went [he gestures “good bye”].

BS: See ya later.

MP: Then it was time to hit the road with your harmonica?

HL: Yeah. I dropped out of school, went back to California. It was now late ‘69. And I joined a big bluegrass band, four of whose members were from a band called Clover. Then they recruited me to join Clover and we were signed by Jake Riviera and Dave Robinson of Stiff Records. They had Elvis Costello, Nick Lowe, Graham Parker and the Rumour, all that. We were the only band they had that didn’t happen. [laughter]

It was funny. We were a kind of a country-rock band. They moved us to England. We lived in London for two years. And because London was between fads—there’s always the new thing—they thought it was going to be country-rock, and, of course, Clover was the essential country-rock band. We got signed by phone and flew over. And literally that week, the Clash played their first gig.

I learned my craft in London basically. The punks were so helpful for me because I have this rough voice—this voice that was not radio worthy in the ‘70s. I just didn’t have a radio voice. I barely sang with Clover, I just played harmonica. What I saw with the punks was these guys basically thumbing their nose at the music establishment. Saying hey, we’re writing our own songs. We’re singing them our own way. We don’t give a shit. Yeah! I thought. Wow, how liberating.

DO MY OWN THING

So when Clover broke up, which we did after two unsuccessful records in London, I said, I’m going to do my punk thing. I’m just going to go back and start a little R&B band and play in my local club. And I don’t care what happens. I handpicked my favorite guys. Which was Johnny, Sean, Bill, Chris, and Mario. They were all in other bands and I said, stick in your bands, but if I get something happening, let’s play. It’s a long story—30 years old. $300 to my name. [laughter]

MP: Then you’re on top of the world.

Huey Lewis & the News

HL: My only regret is, I was pretty ambitious back then, and you kind of have to be. I probably didn’t enjoy it—well, yeah, I don’t know. I guess I did. I guess I did.

BS: Enjoy it just in terms of working so hard and so fast?

HL: No, I take that back. Because I remember distinctly when our first record didn’t do anything. We went on tour with the Doobie Brothers, who were friends, and still are. It was all we could do to get finished with a set without being booed. We would go immediately from song to song because if we paused, they would boo and start throwing shit.

We toured in San Antonio with the Doobies and I played our set. When we were done and they went on, I went out into the hall to watch from the very back. I had never done that. So I go to the back of the hall while they’re playing. It’s dark. I have a hat; nobody can see who I am, even though I’d been on stage. There are some empty seats up there. And now Pat Simmons gets to the place in the set where he goes, “Hey, thanks!1 Great to be here! We are the Doobie Brothers. Man! Really great to be here. How about a hand for our opening act today, Huey Lewis and the News!” And this guy next to me yells, “Boo! They suck!” [laughter]

But that was the Doobie Brothers tour for our first album. Our second album, we had a minor tickle with “Do You Believe In Love?” But the second single died,—sold 250,000 copies, which wasn’t great for its time. And the third album was “Sports.” And our first single went top 10. “Heart and Soul” was released in September of ‘83 and went top 10. Then the next single was probably “Heart of Rock & Roll” or “I Want A New Drug”—one or the other—and it became apparent it was going to be a hit. And I went, ‘Wow if that song is a hit?’ Then we got five others!

After the Doobies, once we started to gain a little momentum, we got offered a tour with Toto. And Toto were kind of our heroes because they’re such great musicians. Steve Lukather is still a good pal of mine. They were heroes of ours. Great musicians. And we had four shows booked with them. But after we played in Tulsa, and they kicked us off the bill!

A reviewer had written, “Toto was there, but Lewis was the news” or something like that. It wasn’t like we had kicked their ass, it was just a reviewer’s take… And they kicked us off the fucking bill. And these guys were totally big. I’m going, ‘Oh man, really?’

So it’s like a year or so later, and our Sports record had just come out, and we had a hit. At that point, we were opening up for 38 Special and tearing ‘em up because half the people were coming to see us. We would do a couple of encores and could have done more. And 38 Special were real men about it. They came out every day and watched our set from the side. Donnie Van Zant would watch our set. I always tip my hat to them for that. Yeah, I love that.

I knew we were on a roll and so I convened the band. I gathered the boys and I said, “Guys, enjoy this because this right here is as good as it gets.” I pointed out that when we get to be headliners ourselves, which is going to happen in about six months, on our next tour, we’re going to have to worry about the lights. We’re going to have to worry about the sound. We’ll have to have all these trucks. It ain’t gonna be near this easy. And we’re gonna have some young opening band trying to kick our ass. This is as good as it gets. And it was. It was a gas.

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